Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: July 1, 2026 - Last updated: July 1, 2026

TITLE INFORMATION

Author: Angelica De Vido

Title: “I Want to be a Macho Man”

Subtitle: Examining Rape Culture, Adolescent Female Sexuality, and the Destabilisation of Gender Binaries in Buffy the Vampire Slayer

Journal: Gender Forum: An Internet Journal for Gender Studies

Volume: 15

Issue: 5 (60): Early Career Researchers IV

Year: 2016

Pages: 24-42

eISSN: 1613-1878 - Find a Library: WorldCat

Language: English

Keywords: Modern History: 20th Century, 21st Century | American History: U.S. History | Representations: Films and Television / Buffy the Vampire Slayer



FULL TEXT

Link: Universität Köln (University of Cologne) (Free Access)



ADDITIONAL INFORMATION

Author: -

Abstract: »Oppressive, essentialist models of gender identity - whereby women are routinely positioned as helpless victims, and men are antithetically characterised as strong, heroic saviour figures – routinely dominate the action and horror genres of screen media. This polarisation functions as an ideological tool for reinforcing patriarchal dominance, by aligning the masculine role with that of powerful agent, and the feminine with weakness and passivity, thereby deeming men’s governance as a necessity for women’s safety, due to women’s seemingly ‘natural’ role as victim. However, this article investigates how the first two seasons of Buffy the Vampire Slayer (1997-2003) destabilise this repressive polarisation through its courageous, commanding female protagonist, who subverts genre norms by adopting the – traditionally male – role of Vampire Slayer. Through examining this characterisation, and its explicit challenge to the active/male passive/female gender dichotomies that are frequently interwoven into the tropes of the horror and action genres, the investigative foci of this article will demonstrate how Buffy dismisses socially-prescribed hierarchies of power between masculinity and femininity, and empowers women in a role where they have routinely been victimised and diminished. I will illuminate how Buffy’s relationship with Angel destabilises traditional heterosexual power relations, and liberates Buffy from the oppressive heterosexual matrix in which female characters, and representations of female sexuality, are routinely confined – most notably, through the series’ treatment of virginity and first sexual experience. Finally, this essay will examine the centrality of rape culture in Buffy, and express how the television series empowers its female characters through rewriting Sharon Marcus’ theory of the ‘rape script’.« (Source: Gender Forum)

Wikipedia: History of the Americas: History of the the United States / History of the United States (1991–2016) | Feminism: Feminist terminology / Rape culture | Television: American television series / Buffy the Vampire Slayer, Buffy the Vampire Slayer season 1, Buffy the Vampire Slayer season 2 | Sex and the law: Rape / Rape in the United States